Is ChatGPT Worth Subscribing To?

Is ChatGPT Worth Subscribing To?

You may be thinking about using ChatGPT to help write pages for your website or do research. This review is intended to help answer whether ChatGPT is worth your time and money.

I have used ChatGPT on and off since 2023. I have also used Claude, Grok, Gemini, and others, so I have some frame of reference for what else is out there. I’m not affiliated with any of these companies.

Are you a business owner who’d rather get the benefits of AI tools like ChatGPT without having to figure them all out? I can handle that for you.

Is ChatGPT Better Than Other LLMs?

For basic queries and information gathering, the free versions of ChatGPT, Grok, and Claude are pretty similar. (I’ve mainly used Gemini with a paid Ultra plan, so I can’t speak to how that stacks up to free versions.) There’s no particular reason to use ChatGPT over the others, or to avoid it. The choice more comes down to personal preferences, as each chat has a slightly different personality, and whether you like or dislike one of the companies.

Why Subscribe?

In my experience, the main reason to subscribe is to increase the daily usage limit for the GPT-5 model. Currently the free plan gives you 10 messages per five-hour time period, and three file uploads.

I’ve found this is often enough for casual use, particularly when I’m subscribed for a different LLM and use its higher limits.

The quality of the responses goes down noticeably when the system switches from GPT-5. There are some times when I’ve found it’s worth a Plus subscription, which is $19.99 per month, to get a higher number of GPT-5 responses. 

Writing Ability

Not having to write it yourself is a big selling point of ChatGPT and AIs in general. ChatGPT’s writing style has gotten better since I wrote about it. But it still writes like an AI, whether the average reader consciously notices that or not.

I certainly wouldn’t recommend relying on ChatGPT (or any other AI) to write something and then use it verbatim. Where ChatGPT can be helpful is in creating rough drafts, particularly for subjects you have no inspiration about or experience in. This way, at least you have something to edit, revise, and build from, instead of working from a blank page.

The other way it can be helpful is at the end of the process: catching typos, pointing out sentences that might be confusing, and offering ideas for additions and subtractions.

Beyond this, writing is a solitary process, and finding a responsive reader has historically been a big challenge for writers. ChatGPT has faults, but so do people. Even considering all its quirks, as an on-call second opinion, it provides a genuinely valuable service.

If you want to subscribe mainly for writing, though, instead of ChatGPT I recommend using Claude. It’s a similar price, but its writing is more human. ChatGPT uses a lot of em dashes, colons, bulleted lists with bold headers, and sentences saying “whether you’re…” and “from…to…” It also overuses words like showcase, key, ensure, and feature.

Claude does some of this also, but less overall, which helps cut down on editing later.

Research Ability

Besides whatever datasets they were trained on, ChatGPT, Claude, and Grok all have access to the internet for research. So unlike a couple years ago where ChatGPT’s knowledge was clearly cut off at a certain date, it can now help with researching current topics by searching online.

For basic questions, I’ve found that ChatGPT, Claude, and Grok will all give answers of about equal usefulness.

I’ve noticed, though, that each of them will often find different sources. So, for example, when I was researching the history of the electric motor, while no AI was obviously flatly better than the other, they worked well together. Each had a slightly different perspective. If they all agree on something, there’s a higher probability it’s correct; but if one disagrees, that’s useful to know as well.

Even if ChatGPT isn’t your main AI, it’s worth using to double or triple check work created elsewhere.

Picture Generation

This has never been a main use of mine, though periodically I’ve experimented with images for one reason or another. When I started in 2023, it was still common for hands to be distorted, and it had a lot of trouble generating text.

I don’t have saved examples of the old ugly pictures, but picture generation has come a long way since then. Here are some examples of what it looks like now:

A ChatGPT-created image of a woman with dark hair holding up her hand with each finger visible.
Prompt: Create an image of a woman holding up her hand, so we see her palm with each finger visible.
A ChatGPT-created image of red capitalized letters within a red boarder on a tan background, saying "I'm doing my part!"
Prompt: Create an image of a banner that says, "I'm doing my part!”
ChatGPT-created image of a golden spaceship with an art-deco design with a planet and stars in the background.
Prompt: Create an image of an art deco space battleship.

These images certainly aren’t perfect. Overall, though, for free or $19.99 per month image generation, it’s amusing if nothing else, and is now good enough to also be potentially useful.

Other Uses

ChatGPT can be helpful answering math questions, if one doesn’t know how to do them, or just doesn’t feel like doing the calculations manually.

For non-work related tasks, I’ve gotten the most use out of it troubleshooting the health of some of my plants. This is a situation where uploading pictures is helpful, because it can see how the plant looks, and then give suggestions.

For things like this, I’ve found it can save time talking to it through the phone, instead of typing on the computer. Its ability to transcribe audio is very good, so it’s easy to talk naturally, and it will comprehend what you say.

Bias, Politics, and Privacy

If you’ve followed AI news at all, you’ve probably heard about various controversies involving OpenAI and ChatGPT. And you may wonder about its bias and have concerns about your privacy. I can’t put any of those concerns to rest. This review is simply looking at its potential usefulness as a productivity tool.

Price & Value

Though there are higher tiers, I’ve only subscribed to the Plus plan, which is $19.99 per month. This price is in line with the basic plans of other similar AIs.

One thing ChatGPT does very well is make it extremely easy to subscribe and unsubscribe. There are no confusing user interfaces or convoluted actions needed to make it happen. Whether you’re subscribing or unsubscribing, it only takes a couple button clicks.

Bottom Line

Unlike my reviews of ElevenLabs and CapCut, ChatGPT does not have a long and granular issues list from a user standpoint.

Is it worth using for free? Yes, for research, kicking ideas around, answering basic questions, doing math. It can be useful by itself or as a second opinion to complement another AI.

Is it worth subscribing to? That really depends on your usage:

  • If you’re going to ask only a few questions a day, don’t bother subscribing, use the free plan.
  • If you mainly want to use AI for writing, subscribe to Claude instead, which is a similar price but the writing is better.
  • If you have many questions and want to show many photos to ChatGPT per day, it can be worth getting a subscription.

It’s not a panacea for writing or anything else, and has plenty of limitations. But as a tool in your toolbox, it can be helpful.

If you’re a business owner who wants AI working for your business without sorting through all the tools and subscriptions yourself, here’s how I help and here’s how to reach me.

CapCut Review: Is It Worth Subscribing to for Video Editing?

CapCut Review: Is It Worth Subscribing to for Video Editing?

This summer a client asked me to experiment making AI videos. Without getting into the weeds on AI video generation, the thing to know is that AI doesn’t currently create long videos with many scene transitions. Instead, they typically make short, single-scene clips (known as “outputs”). Google’s Veo, which I’ve used the most, currently makes outputs 8 seconds long.

Because of this, for videos longer than the output length, the AI video still has to be edited together by a human.

My client needed a longer video, so I decided to try CapCut. My review is from the perspective of someone looking for specific results in a few areas, and is not influenced by any affiliate deals or connections to CapCut.

Are you a business owner or marketing professional who could use AI-generated video ads without the hassle of learning the tools yourself? That’s a service I offer. See examples of what I’ve made, or get in touch if you want to talk about it.

CapCut Version Comparison

Mobile

For iOS and Android.

Available Subscription Tiers

  • Free: Basic editing with a watermark.
  • Pro: Removes watermark and unlocks all premium features.

Desktop

For Windows and macOS.

Available Subscription Tiers

  • Free: Basic editing with a watermark.
  • Pro: Removes watermark and unlocks all premium features.

Online

Accessible in a browser.

Available Subscription Tiers

  • Free: Basic editing with a watermark.
  • Pro: Removes watermark and unlocks premium features.
  • Business: All Pro features plus team collaboration tools and commercial assets.

I’ve used free CapCut Online, and CapCut Desktop with a Pro subscription. They are similar, but different enough to be worth covering (mostly) separately.

CapCut Online

CapCut Online interface showing new project workspace with uploaded video files in left sidebar and empty timeline for video editing.
New project screen with my videos on the left and empty workspace on the right.

Online is the simplest version. Very basic tasks are fairly intuitive to do. It can be used for free or with a subscription that unlocks extra features. It’s easy to get started quickly and is, for the most part, straightforward to use. I barely watched or read instructions and was able to cut and assemble videos and move around text and audio elements to make functional videos.

Free CapCut Online works fine for a 30-second or minute-long video that doesn’t have many tracks (more on this later) or elements beyond the video segments themselves and audio.

I would not, however, recommend it for anything even mildly complex, because it lacks some important features that are in CapCut Desktop. For example, audio elements are more clunky to adjust, and it only allows eight tracks to be stacked in the timeline. I’ve never hit a track limit with CapCut Desktop.

In case you’re wondering, the “timeline” is where you assemble a video.

CapCut Online timeline view showing assembled video clips with audio tracks and text elements in a 25-second video project.

“Tracks” hold individual elements like video segments, pictures, text, filters, audio, and so forth, that contribute to the finished video. They can build up quickly, so eight is not a lot.

CapCut for Desktop (with a “Pro” subscription)

CapCut Desktop Pro interface showing empty new project workspace with import area, editing tools, and project settings panel.
Empty new project screen for desktop. Most of the same buttons are here as in the online version, but everything is darker and moved around.

CapCut Desktop is less clunky and more versatile in every way than the online version. There are quality of life additions like clickable sliders for easily controlling sound volume on the tracks, and it has more keyframing options. (Keyframes are used to mark the beginning and end of transitions and transformations. For example, if you want a video to slowly zoom out, this would be marked with a keyframe starting at a high level of zoom, and ending with a lower level. The video would then smoothly transition between those two values as it plays.)

Both Online and Desktop automatically save projects whenever the user clicks out of them. There is no separate save button. In many ways, this is convenient. But it does mean that if the video gets messed up for whatever reason and you don’t remember to revert the changes before exiting, you’re stuck with them. There’s no way to cancel out and just load a fresh save.

With Desktop it’s possible to get around this by duplicating a project and keeping one version as the backup save. CapCut Online does not appear to support duplicating a project, so if your one version of the video is corrupted, there’s no backup.

The saving factor aside, it’s common to need different variants of the same video, which is harder to do with Online, but easy with Desktop.

All other factors aside, the ability to duplicate a project makes it worth using Desktop instead of Online.

CapCut Issues

The short version of this section is CapCut has many small and medium-sized annoyances. Here’s the long version:

1. Although a Pro subscription covers both Online and Desktop, there’s no way to transfer a project from the Online space to the Desktop space. This can be a pain if you’ve maxed out what Online can do and have a half-finished project that you want to finish with Desktop. Instead of being able to transfer the project, you have to make it again. I just don’t start anything with CapCut Online anymore.

2. The system for renewing the Pro subscription is horrible. Here’s what happened: I didn’t know how long I would be using CapCut, so it wasn’t set to auto-renew. When it ran out, I needed to resubscribe to continue work on a video. There was a popup prompting resubscription; I followed it, and paid. However it didn’t then just renew Pro, but continued prompting for resubscription again (this time offering a discount). It took about half an hour to figure out how to sign back in so that the Pro subscription would work, but even now, I’m unclear of the correct way to do it again.

3. There are popup screens prompting updates when the system is already up to date.

CapCut update notification dialog displaying confusing prompt to update from current version 6.9.0 to same version 6.9.0.

4. When a video gets complicated, if you change something at the beginning, like trimming or extending a clip, it will often desynchronize everything in the timeline that comes later. If a video has text, filters, and separate audio, the number of things that need to be resynchronized for each change adds up quickly. Trimming three seconds at the beginning may require adjusting 25 elements that are now out of position.

CapCut Desktop editing timeline displaying dense multi-track video project with numerous video segments, audio tracks, and text overlays spanning multiple minutes.

This is no big deal for a 30 second video with a few elements. But it can quickly become unmanageable for longer videos. There is, theoretically, a way to drag and drop many elements at once, modify the beginning of the timeline, and then move the block of elements back. However, even for a video less than three minutes long, I found this nearly froze my computer (which isn’t from the 1990s).

It may look like I had a lot going on in that screenshot, but it was still a relatively simple video. There is no user-friendly way to isolate the beginning and modify it while keeping everything else together.

Based on this issue, I would not use CapCut for anything over 5 minutes long, unless it has very few elements. Instead I’d learn a more robust video editor like DaVinci Resolve or Adobe Premiere Pro.

Price & Value

The monthly Pro subscription currently costs $19.99. Overall, this is reasonable for the value. Pro unlocks many extra features that are useful, or at least interesting to experiment with.

For putting together a couple simple videos, it isn’t worth it, but for any sort of consistent use or complex editing, I’d get Pro.

What happens if you get it, make projects, and then cancel your subscription? Your videos will still be in your account. But anything you made using a Pro-level feature can’t be downloaded again until you resubscribe.

Bottom Line

For someone who isn’t starting with a knowledge base, isn’t interested in filmmaking, and wants to make simple videos fast, CapCut is a useful tool.

If you’re making more than a few videos, it’s worth downloading for desktop and getting a Pro subscription.

The subscription renewal can be a pain and there are some quality of life issues that arise once videos get even moderately complex.

But as a beginner’s program that isn’t too complicated, expensive, or hard to learn, it gets the job done.

If you’re a business owner who needs video content but doesn’t want to deal with learning editors like CapCut, I create video ads for clients from start to finish. See examples or get in touch.

Is ElevenLabs Worth Subscribing To? A User’s Review

Is ElevenLabs Worth Subscribing To? A User’s Review

Looking for an AI generated audio service with text-to-speech and sound effects? Wondering if ElevenLabs is worth the time and money?

This review is not meant to be an exhaustive listing of every feature and how it compares to every other audio AI out there.

Over the last year I’ve subscribed to ElevenLabs several times for different client projects. Here are my impressions as an actual user who needed the product to work for specific tasks. I am not affiliated with ElevenLabs in any way.

The client projects I’ve used ElevenLabs for include creating video ads for businesses. If you’re a business owner or marketer who could use video ads without learning all these tools yourself, see what I’ve produced or get in touch.

Text to Speech

I have the most experience with the “Instant Speech” generator, used for speech chunks of 3,000 characters or less.

The ElevenLabs user dashboard, with a red arrow pointing to the "Instant speech" feature for text-to-speech generation.

There is a large selection of pre-made voices. While some are better than others, and some sound more obviously AI than others, overall there is a lot to work with here.

For the most part, the voices pronounce words correctly and add emphasis or pauses that sound natural. They are way beyond the horrible text to speech of the past.

When you select a voice to generate speech, it will generate two outputs at a time, each with a little variation between them (there’s no way to change this number). Occasionally, one output is perfect on the first attempt, but I found that this is rare. When I want precise emphasis or cadence, even for short paragraphs, it often takes five or ten tries to get something I’m happy with.

Issues with Text to Speech

1. It often cuts the last word short. It doesn’t actually cut it off, but the clip will end on the last sound of the last word in a way that sounds terse and unnatural. It’s not easy to hear this while generating outputs, though, but usually becomes obvious later when assembling a video and listening to the audio in context. I like to include a filler sentence that can be cut out later, but provides a buffer for the parts I want to make sure are not cut off. A short sentence works better than just one word, because one (or two) random words are often not read aloud when placed after a regular sentence. 

2. The voices can vary too much between outputs. The variation is a problem because sometimes the same voice can sound like different people. Here’s “Liam” reading the same two words: First take. Second Take. This can cause a lot of extra work trying to match outputs from different prompts.

There’s a slider to help control the variability, which can make the outputs a bit more consistent with the tradeoff of sounding potentially more robotic. This is better than nothing, but ultimately, it’s not a good choice between an inconsistent voice and a robotic one.

There is the ability to insert words in brackets to better indicate how the text should be read. This is somewhat helpful. For instance, here’s a line where I told it to [laugh] at the end. But the system sometimes just reads the words in the brackets out loud, like in this recording where I put an [anxious] direction at the beginning to set the tone.

3. Occasionally there will be background noises or sound effects that can ruin otherwise good outputs. This isn’t too common, though. If I like the output itself, I isolate the voice later using CapCut, which is a simple editing program. (I’ll have a review of it soon.)

4. The user interface to select voices is convoluted. If you’ve used ElevenLabs and have been confused by this part, it’s not just you.

How it should be: Select a voice and press a button to use that voice.

How it is: Find a voice and press a button next to “Select a voice” but the button takes you back to the previous page. That’s because you need to add the voice to your “voice library” in order to select it. But if your library is full (10 voices on the Starter plan) it won’t let you add the voice. So you now have to leave the page and navigate to the voice library, to delete one of the saved voices and free up more room. But this takes you away from the voice you’ve found, so now you have to navigate back to the voice options and find it again to add to the library.

On top of this, the catalogue of voices is cut up into different sections, and it’s unclear if there’s a way to search all the voices at once.

Using the “Studio” Text to Speech to Create Audio Books

Generating audio in the ElevenLabs editor, where a user can input text, organize it by chapters, and select from a list of available AI voices to create the speech.

The Studio interface allows generated content to be organized in chapters, and is generally better at handling large amounts of text than Instant Speech. I used Studio when a client asked if I could make some audiobooks.

The same voices are available as in Instant Speech, and from a usability standpoint, Studio is relatively easy and straightforward. There are plenty of options to fine-tune the reading, though my client didn’t want me spending a bunch of time on that; I mainly went with the default output.

Issues with Studio Text to Speech

It can struggle with punctuation and pauses. I spent a while in trial and error, adding and removing paragraph breaks and ellipses, to get it to read chapter headings correctly before the body text.

The default reading is more robotic than with Instant Speech for the same voices. Overall, there are fewer quality-of-life issues here, though.

Sound Effects

I’ve found the sound effects generator to be a very useful feature for adding background audio to videos. Things like far-off bird sounds, breathing, electrical shorts, air-conditioner hum, and suburban backyards. When a prompt is entered, the system automatically generates four outputs. I haven’t found a way to change this number. It is possible, though, to select the output duration from 0.5 seconds to 22 seconds.

For short clips of basic sounds, I found the outputs to be quite good. Sometimes I had to tweak my prompts and generate multiple batches, but I rarely went away without something I could use.

Issues with Sound Effects

It’s not uncommon for one of the outputs to be silent or very faint. The system also has a hard time with abstract prompts like “transcended enlightenment.”

Probably the worst thing about Sound Effects is that there’s no clear way to delete the output history. This is a problem because if I need to try five times to get the right bird sounds, now the history is forever clogged up with 20 outputs, and it becomes harder and harder to find old but good outputs as time goes on.

There is, apparently, some method to delete the history using API access, though I haven’t attempted it.

Other Features

ElevenLabs has multiple features beyond text to speech and sound effects: voice changer, voice isolator, voice clone, music generator, dubbing, speech to text, and some others. As of writing this, I haven’t used these enough to review them.

Price & Value

ElevenLabs pricing and subscription plans, detailing cost per month for Starter, Creator, Pro, and Scale tiers, including features and text-to-speech credit limits.

ElevenLabs has multiple pricing tiers, with monthly and yearly subscription options. I have used the “Starter” plan at $5 per month and the “Creator” plan at $22 per month. The higher-priced plan gives more of everything and a few options not included in the lower plans.

When I needed to make short voiceovers and some sound effects, the $5 Starter plan was genuinely useful.

I used the Creator plan when making the audiobooks. It’s definitely necessary to have a higher plan like this, if you want to narrate multiple thousands of words. While I did run out of credits pretty quickly making audiobooks, I think the Creator plan is a reasonable value for the price.

One thing about ElevenLabs that’s great compared to some AI subscriptions is that it’s fast and easy to unsubscribe whenever you want.

Bottom Line

Even when I am only using a few of the available features, ElevenLabs gives good value for the money. There are some pretty annoying user interface issues, but they don’t outweigh all the quality features.

Overall, ElevenLabs is a useful service and definitely above average in the AI ecosystem.

ElevenLabs is one of several AI tools I use to create video ads for businesses. If you’d rather have someone handle the tools and deliver the finished product, here’s my work and here’s how to reach me.

Do NOT Confuse Veo 3 with Veo3.ai

Do NOT Confuse Veo 3 with Veo3.ai

Update: I’ve revised this post from its original version, to reflect changes to Google’s AI Ultra plan, which increased monthly credits from 12,500 to 25,000 for and made Veo 3 Fast generations free in Flow for Ultra subscribers (changes implemented in August 2025).

If you’re thinking about using Veo 3 to generate videos, or aren’t sure about the economics of credit usage, this post is for you.

Be aware: “Veo 3” the AI video generation model, and “Veo3.ai” the website, are not the same thing. One could cost you a lot more.

“Veo 3” = an AI video creation model made by Google.

“Veo3.ai” = A website NOT affiliated with Google, and may be a scam site based on user reports.

If you’re a business owner or marketer who wants video ads made with Veo without dealing with the confusion around access, pricing, and scam sites, I do this for clients. See examples of what I’ve made or get in touch.

The backstory to this post is that when I started making AI videos for a client, he asked me to use Google’s Veo 3 video creation model. Seems simple, right? But even figuring out how to sign up—and where—was confusing.

The economics were also unclear. There appeared to be ways of generating videos for free, or with credits bought from Google, or through third-party sites running the Veo 3 model, also using credits, but not affiliated with Google.

(Credits = what you can use to pay for a video generation. These aren’t a universal monetary standard, so how much actual money a credit costs, and how much it buys, varies between companies that use credits.)

I was hesitant to sign up for anything without research ahead of time, because in 2024 I subscribed to a bad AI service, and had to change my credit card number to keep them from billing me.

Here’s the long version of what I found when researching these questions.

Getting Access to Veo 3

No Free Access
Free Gemini accounts don’t get Veo 3 video generations.

If you subscribe to Google AI Pro, you get three Veo 3 “Fast” video generations per day through the Gemini app.

With the Ultra plan, you’re bumped up to five generations per day.

In the Gemini app, these generations don’t cost credits, but you’re capped at those daily limits. 

Want more? You’ll need to use Google’s Flow tool, where generations use credits.

Using Your Google AI Ultra Credits
When you subscribe for Ultra, you’re given 25,000 credits per month. As credits aren’t directly used in the Gemini interface, to generate more than five videos a day you need to sign into Google Labs Flow. Here you can generate as many videos as you want until your credits run out, and then you can buy more.

Third Party Sources
As I mentioned, using the Veo 3 model is sometimes available through sites not affiliated with Google. For example, LTX Studio offers this. You pay them their subscription fee (varies by plan), and then they meter your access to Google’s model. As far as I know, LTX Studio is legitimate, and I’m sure there are others.

Before I did all this research, though, I was confused by Veo3.ai. They say they aren’t affiliated with Google, but that’s a pretty spot-on name that comes up easily in the search results. They say they use Google’s model and sell a credit package for $49.99, which seems like a lot less of a risk than signing up for Google AI Ultra at $124.99 per month.

I found too many sources indicating that Veo3.ai is a potential security risk to use to sign up for them. But let’s say they’re legitimate. Are they offering a good deal?

To answer that question, we need to figure out how much money a credit is worth.  

The Value of a Credit

If you sign up for Google AI Ultra, for the first 3 months of your subscription at $124.99, you get 25,000 credits per month.

At this price each credit costs you 0.5 cents.

When you are using your credits in Flow, the usage depends on the model you pick, and number of outputs per prompt generation.

You can choose between four models:

Veo 2 – Fast (10 credits per output)
Veo 3 – Fast (0 credits per output)
Veo 2 – Quality (100 credits per output)
Veo 3 – Quality Beta (100 credits per output)

For the purposes of this post, we don’t need to get into the weeds over all the differences between these options. It’s enough to know that Veo 2 – Fast is the most primitive and doesn’t create audio, while Veo 3 – Quality Beta is the fanciest and creates audio. Videos made with it are probably what most people who are trying to get access want to do.

For each model, when you enter a prompt, you can have the AI generate between one and four outputs. Because each output is a little different even with the same prompt, generating several at once can save time because you’re more likely to get something you like. However, if there’s a problem with the prompt, it can be costly to find that out from four bad outputs at once.

Here is a breakdown of how many credits you can spend, depending on your settings:

Veo 2 – Fast (10 credits per output)
1 output: 10 credits
2 outputs: 20 credits
3 outputs: 30 credits
4 outputs: 40 credits

Veo 3 – Fast (0 credits per output)
This is anecdotal, but in my experience the quality of these outputs noticeably dropped when they were switched from their old cost of 20 credits to being free.

Veo 2 – Quality or Veo 3 – Quality Beta (both 100 credits per output)
1 output: 100 credits
2 outputs: 200 credits
3 outputs: 300 credits
4 outputs: 400 credits

Each output can be as low as 0 credits or as high as 400, depending on your settings. At $0.005 per credit, you’re paying between $0.00 and $2.00 per generation.

When the 3-month promotional period ends for Google AI Ultra and the price doubles from $124.99 to $249.99, the credit usage stays the same—but your cost per credit doubles from $0.005 to $0.01.

Now, each generation will cost between $0.00 and $4.00.

How does Veo3.ai stack up? Their cheapest monthly plan is $49.99 for 7,500 credits. Keep in mind these are credits to use through their website, not interchangeable with Google’s credits. However, that’s a cost of $0.0067 per credit, about 33 percent cheaper than Google’s $0.01 per credit.

According to Veo3.ai, there are two options for a Veo 3 model video generation:

Fast: 200 credits per generation.
Quality: 1,000 credits per generation.

They don’t say how many videos are created per generation. I’m going to proceed as if it is only one, figuring if it were more, they would announce that.

So now the question becomes, never mind how much each credit costs—how much does each generation cost?

Actual Cost Per Generation

Veo3.ai Fast: 200 credits × $0.0067 = $1.34 per output.
Veo3.ai Quality: 1,000 credits × $0.0067 = $6.70 per output.

Using Google’s Veo 3 directly (single output for comparison):
Fast: free.
Quality: 100 credits × $0.005 = $0.50 per single output.

Credit Value Comparison
Even though Veo3.ai credits cost less per credit, they require 10x more credits per generation. The lower per-credit price is misleading.

Unless Veo3.ai is giving you multiple outputs per generation—which they don’t advertise—you’re paying significantly more per video.

What Happens After the 3 Month Promotional Period Ends and Google Costs Double?

Google AI Ultra (after 3 months): $249.99 ÷ 12,500 credits = $0.02 per credit.

Actual Cost Per Generation After Price Increase (Google Veo 3):
Fast: free.
Quality: 100 credits × $0.01 = $1.00 per single output.

Veo3.ai (unchanged):
Fast: $1.34 per output.
Quality: $6.70 per output.

Even though Veo3.ai credits look cheaper, each generation uses far more of them. With Veo 3 Fast now being completely free for Ultra AI subscribers, and the overall quantity of credits doubling to 25,000 from the old 12,500, Google's official option is dramatically more cost-effective.

Now, if Veo3.ai quietly generates four outputs per generation—and just doesn’t advertise it—that would cut their cost per output to about $0.34 (Fast) or $1.68 (Quality).

That's still far more expensive than Google's Veo 3 Fast option (which costs 0 credits for Ultra subscribers) and more expensive than Google's Quality pricing even after the promo period ends.

It’s possible, but in the absence of clear information, it’s safer to assume one output per generation than that they are secretly generous. I researched this question of how many outputs it makes per generation, but was not able to find any specifics, beyond warnings that Veo3.ai provides a poor user experience and is probably a scam site.

If you'd rather skip the credits, subscriptions, and pricing headaches and just get video ads for your business, here's my work and here's how to reach me.